Viering van de afkondiging van de Alliantie met Frankrijk op de Grote Markt te Haarlem, 1795 by Vincent Jansz. van der Vinne

Viering van de afkondiging van de Alliantie met Frankrijk op de Grote Markt te Haarlem, 1795 1795

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print, etching

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dutch-golden-age

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print

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etching

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etching

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cityscape

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genre-painting

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history-painting

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realism

Dimensions height 272 mm, width 352 mm

Curator: This is Vincent Jansz. van der Vinne's etching, "Viering van de afkondiging van de Alliantie met Frankrijk op de Grote Markt te Haarlem, 1795," or Celebration of the Proclamation of the Alliance with France on the Grote Markt in Haarlem, from 1795. Editor: It feels somber for a celebration. There's this densely packed crowd in what appears to be a public square, all rendered in shades of gray. You can almost feel the chill of the evening air. Curator: Indeed. While celebratory, this print also functions as a historical document, showcasing the alliance with France amidst the political turmoil of the time. Consider the material realities—the etching process itself. The lines, meticulously carved, speak to a precise and laborious production, reflective of the careful political calculations underway. The very act of mass-producing this image speaks to the dissemination of this alliance for public consumption and, frankly, acceptance. Editor: Precisely! Context is everything. This event is situated within the Batavian Revolution, influenced by the French. The print reveals the shifting power dynamics in Haarlem. Looking at the assembled crowd, one has to wonder about their individual experiences and whether this alliance truly represented their interests, especially considering the impact of revolutionary ideals on class and social structures. Curator: That is what I appreciate about this. Van der Vinne captured this moment, showcasing labor in a practical way. These are ordinary citizens experiencing and participating in, in various ways, the unfolding of the events that shaped their world. This wasn’t the elite. It's a valuable, if biased, view of how alliances are visually made concrete. Editor: Exactly. And look closely. Consider whose perspectives are privileged, whose are obscured within that dense crowd? It forces a dialogue on representation, power, and collective identity during times of political upheaval. This celebration marks the beginnings of new questions surrounding belonging and autonomy. Curator: Considering the economic pressures of maintaining power and public image through things like large celebrations is not separate from cultural memory. We are able to glimpse at how nations like the Dutch Republic utilized displays to exert dominance while, perhaps, unaware of long-term risks. Editor: It definitely inspires questioning what celebrations conceal just as much as reveal.

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