A Courtier Following the Recent Edict 1630 - 1676

Editor: So, this is Abraham Bosse's "A Courtier Following the Recent Edict," made sometime between 1630 and 1676. It’s an engraving, all delicate lines and shading, depicting a rather flamboyant gentleman discarding his elaborate clothes. It feels satirical somehow. What's your take? Curator: Oh, absolutely satirical! Bosse, with that razor-sharp wit, dissects societal vanities here. The "recent edict" probably refers to sumptuary laws attempting to curb excessive spending on attire. The poor fellow seems resigned, doesn't he? Look at his expression, that theatrical gesture! Editor: It’s like he’s simultaneously mourning the loss of his finery and performing for an audience. Is it just me, or is there something inherently performative about fashion? Curator: Indeed! Clothing is a language, isn’t it? In Bosse’s time, particularly, attire broadcasted status, wealth, allegiance...and sometimes, defiance. This print captures the tension between individual expression and social constraints. Is he a victim or complicit? Editor: That’s the genius, isn't it? It's not a simple condemnation, but a nuanced observation. Almost melancholic, the way he dramatically waves towards that ridiculously ornate pile of clothes like they’re old friends… Curator: And those ribbons practically weeping from his shoes! It all speaks volumes, doesn't it? Perhaps a gentle reminder that, beneath the surface, we’re all playing a role, costumed in societal expectations. I love it! What's been most fascinating about Bosse for you? Editor: Definitely this delicate dance between genuine feeling and outward performance! Curator: For me, it’s how a few etched lines can convey such depth, a miniature play unfolding on paper! A truly insightful artist, indeed!