Flute in a leather bag c. 1750

This flute was made by Philip Borkens in the 18th Century. It's presented in sections, laid out horizontally against a neutral backdrop, each piece revealing the linear form and materiality of the instrument. The flute's composition is striking for its order. The main body is aligned above two smaller segments; the cylindrical shapes and parallel arrangement create a sense of balance and visual harmony. Note the precise placement of the sound holes, small dark circles that interrupt the flute’s otherwise uniform surface. Their regularity suggests an underlying structure, a calculated design to achieve specific acoustic effects. The contrast between the warm, organic texture of the wood and the smooth, cool ivory rings punctuates the surface, adding to the overall aesthetic. This contrast might represent the cultural values and ideas of the period – a balance between nature and artifice, function and beauty. The flute, in this context, serves as more than just a musical instrument. It's a symbol of cultural refinement, with its design and materials communicating the values of a specific time and place.