Dimensions: height 30 cm, width 44.3 cm, height 120 cm, width 47 cm, height 7 cm, width 54.5 cm, depth 7 cm
Copyright: Rijks Museum: Open Domain
Takeuchi Seihô made this painting of a rat on the hammer of Daikoku, probably using ink and color on silk. Look at how immediate and direct the marks are – the artist really went for it, capturing a sense of movement and spontaneity. There’s this wonderful contrast between the almost cartoonish depiction of the rat and the more abstract rendering of the hammer. The flat, matte surface lets you focus on the forms themselves, making you think about the gesture and the act of painting, rather than getting lost in any illusion. My favorite part is the way the tail of the rat loops and curves, mimicking the shape of the hammer. It’s like the artist is saying that art is a conversation, each element echoing and responding to the others. For me it calls to mind Cy Twombly, but with a zen twist. Art is about embracing the unexpected and finding meaning in the everyday.
The rat is the constant companion of the god of wealth, Daikoku. It is often depicted with the god of good fortune’s attribute, the magical wooden hammer he uses to grant wishes. Seiho created a pleasing contrast between the saturated black and soft grey brushstrokes. These kinds of easily accessible, skilfully painted works were popular with a large audience.
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