Design for a Knife Handle with Personifications of Prudence and Temperance by Johann Theodor de Bry

Design for a Knife Handle with Personifications of Prudence and Temperance 1580 - 1600

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drawing, print, engraving

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drawing

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allegory

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print

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figuration

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form

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11_renaissance

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line

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history-painting

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italian-renaissance

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nude

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engraving

Dimensions Sheet: 3 5/8 × 15/16 in. (9.2 × 2.4 cm)

Curator: This is Johann Theodor de Bry’s "Design for a Knife Handle with Personifications of Prudence and Temperance," created between 1580 and 1600. It's an engraving, and meant to showcase those virtues allegorically. Editor: Well, isn't that a fancy butter knife! It looks terribly serious for something you'd spread jam with. So many little figures, packed onto a handle, looking stern. Curator: Exactly. Its purpose speaks to the consumption habits of the elite during the Renaissance. Engraved knife handles would have signified the wealth and taste of the owner, transforming a functional object into a symbol of status. It suggests a whole system of value where even daily activities become opportunities for displaying virtue through art. Editor: I see your point. It's less about the knife, more about the… look at me, I eat with *Prudence*! It almost seems comical to see virtue crammed onto an object you stick in your mouth, all these classical figures… it feels very stagey. But I will say, I admire the linework. The artist crammed detail into a very limited space. Curator: Indeed. The artist employs tight linework to create detailed allegorical figures, and the use of print allowed these ideas to be reproduced and disseminated, informing cultural understanding of those virtues more broadly. It makes you wonder how ideas about virtue trickled into daily life at the time. Editor: A virtuous fork! What a concept. But thinking about the hand that holds the knife—I wonder, did the owner ever actually pause, between bites, and reflect on temperance? I would hope so, otherwise the entire concept becomes ironically pointless! All that effort, to refine something so mundane. It speaks volumes about the culture's aspirations and anxieties. Curator: Yes. A curious artifact of its time, mediating grand ideals with quotidian practices, inviting viewers to consider its making, dissemination, and even consumption within Renaissance culture. Editor: Ultimately, it makes you realize that our obsession with ‘things’ and ‘appearing virtuous’ are perennial themes for human beings, only the props keep changing!

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