Slagsmålet by Adolph Kittendorff

lithograph, print, etching

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narrative-art

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animal

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lithograph

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print

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etching

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figuration

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genre-painting

Dimensions 97 mm (height) x 126 mm (width) (bladmaal)

Editor: Here we have Adolph Kittendorff's 1845 print, "Slagsmålet," which I believe translates to "The Fight." The stark black lines depict two dogs in a rather vigorous tussle. What immediately strikes me is the energy, the implied motion. What can you tell me about how we interpret something like this? Curator: Indeed, it’s a compelling image. What do you see in terms of the types or breeds of dog represented? One appears almost like a common mutt and the other something far more…delicate. Editor: Yes, the contrast is interesting; a shaggy, larger dog versus a smaller poodle, perhaps. I hadn't thought of it that way. Curator: Precisely! The fight itself becomes a symbolic drama. In many cultures, dogs represent loyalty, but also aggression and territoriality. Here, the disparity in breeds could symbolize class conflict, a common theme during the 1840s with growing tensions between the bourgeoisie and other classes. Note, too, how the shaggy dog has the upper hand, its teeth seemingly grazing the smaller dog. It is almost protective. Does it change your perspective at all? Editor: It does. The piece moves beyond just a simple depiction of dogs playing. So, by using different breeds, Kittendorff gives us more to think about? Curator: Exactly. The breeds serve as visual shorthand. The "fight" becomes more than a physical altercation, but speaks to broader social and psychological power dynamics of the time. Visual elements in artwork, even seemingly small ones, serve to deliver and embed the wider emotional and cultural meaning, if you learn how to read it. Editor: That's fascinating; I'll certainly look at genre scenes differently now. Curator: Good! I hope that our audio guide enables people to understand and reflect on the enduring relevance and subtle storytelling of such works, while inspiring greater appreciation of the messages.

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