Profound Longing 1965

Curator: Here we have Hans Hofmann’s "Profound Longing," an oil on canvas created in 1965. Editor: Well, "profound" certainly seems apt. My first thought is of earth tones dominated by an imposing red square. There's a weighty feeling here. Curator: Weighty, yes. Note the impasto technique; Hofmann builds up layers of thick paint, creating a palpable surface. He embraced the materiality of the paint itself. Observe how he positions the squares, like the larger red one at the top and then the centralized red square—the composition practically pulsates. Editor: It almost feels confrontational. Is that red square an assertion, or a barrier? The longing… is it a desire to break through? Hofmann was working through a lot politically, socially at that time. Could this be an attempt to grapple with it all? Curator: Certainly, one could interpret it as such. But from a purely formal perspective, the dynamic interplay between color and form takes center stage. Look at how the smaller blue shapes punctuate the otherwise earth-toned space. Editor: Yet the colours speak volumes outside the painting itself; red traditionally embodies emotions that span from passion to violence. The overall composition feels almost like a visual manifestation of internal conflict. Curator: The title "Profound Longing" opens it to that interpretation. It's less about a concrete depiction of something and more about evoking a feeling, or a state of mind. The visible brushstrokes are also worth noting; each mark contributes to the overall energy of the piece. Editor: A controlled chaos perhaps? He provides what appears like disarray at first, yet offers to viewers this red portal amidst his own personal chaos of the 60's in New York City. Curator: Precisely, "Profound Longing" showcases Hofmann's mastery of abstract expressionism. His push and pull theory is visually manifest, creating a dynamic surface, and leaving us contemplating its significance. Editor: Yes, an artwork that continues to provoke and challenge, inviting us to reflect on our own longings, too.