This is a creamware creamer made by Wedgwood sometime after 1759. These creamers were first developed in England, but gained international popularity for their neoclassical style. Focusing on the socio-political context of eighteenth century England, we begin to understand that Wedgwood pottery became a symbol of middle class aspiration. The emerging middle classes were eager to display refined taste, which could be achieved by collecting and using these creamers for their tea. These objects offer insights into patterns of trade, consumption, and social identity in 18th century England. By consulting historical documents such as trade records, personal letters, and museum archives, we can learn more about the complex interplay between art, commerce, and society. The meaning of art, we learn, is contingent on social and institutional context.