Art Theory Text with Lobster 1948

Curator: This is Stuart Davis’s "Art Theory Text with Lobster," a small drawing whose date remains unknown. It lives here at the Harvard Art Museums. Editor: Immediately, I’m struck by the contrast: dense, almost frantic handwriting paired with a rather playful lobster sketch. Curator: Davis juxtaposes the analytical—his text critiquing overly logical art—with the intuitive, represented by the lobster. It highlights a tension present in modern art discourse. Editor: The lobster, labeled "Cameron's, Gloucester," roots the abstract theory in a specific locale, perhaps a personal connection. It's also a sly nod to surrealism. Curator: Precisely, and Davis was deeply engaged in those debates about the subconscious and spontaneous creation. It becomes a visual manifesto. Editor: A manifesto that embraces both intellect and whimsy. It’s a reminder that art theory doesn't have to be dry. Curator: Ultimately, Davis invites us to question the boundaries we impose on artistic expression. Editor: Indeed—a question that continues to resonate today.