Card Number 51, Everson & Clayton, from the Actors and Actresses series (N145-6) issued by Duke Sons & Co. to promote Duke Cigarettes 1880s
drawing, print, photography
portrait
drawing
toned paper
photography
Dimensions Sheet: 2 11/16 × 1 3/8 in. (6.8 × 3.5 cm)
Curator: Here we have "Card Number 51, Everson & Clayton," from the Actors and Actresses series. These were issued in the 1880s by W. Duke, Sons & Co. to promote Duke Cigarettes. It's a commercial print, showcasing two women. Editor: It's fascinating how such an ephemeral image feels so charged with implied stories. There's a slight melancholy in their eyes, wouldn't you say? The sepia tone gives it a strong vintage appeal. Curator: The figures are posed as if they are established society personalities, likely famous performers whose portraits were strategically placed within cigarette packs. We need to consider that the representation of women in advertising played a key role in marketing commodities like cigarettes in that era. Editor: Certainly. There is a performative aspect to the subjects featured here; their fashion and hair meticulously styled according to trends, their demeanor portraying poise. Even their intertwined hands and rings are loaded symbols that warrant further observation. Curator: Yes, because these weren't random images. Duke Cigarettes sought to elevate their brand through these actresses, equating smoking with fame and elegance, a status that largely remained inaccessible to most women at that time, many of whom occupied oppressive domestic roles or struggled within grueling labor conditions. This tells us so much about the commodification of both image and gender at the dawn of modern marketing. Editor: But do we think the symbolic intent would be consciously decoded by most consumers then? Or did the sheer visual appeal suffice to spark desire? It's worth noting the cigarette packs were largely bought by men. These ladies project an alluring confidence. It is striking to note that their gaze is self-possessed, aware of being looked at; rather distinct from vulnerable women we find painted in comparable time periods. Curator: Exactly. And that's why we have to analyze beyond simple attraction and understand what types of female ideals, lifestyles, and aspirations that marketers leveraged, and for what purpose. Considering this advertisement as a complex text, we can unpack how visual media influences desire, constructs identities, and subtly reinforces certain power dynamics within society. Editor: A beautifully haunting pair whose likeness once enticed cigarette purchases but, through analysis, reveals much more than simply visual persuasion. Curator: Precisely. This isn’t merely about selling cigarettes but about understanding the undercurrents of societal aspiration, commercial power, and gendered expectations embedded within even the smallest print.
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