Karikatuur van een journalist by Erich Wichmann

Karikatuur van een journalist Possibly 1923 - 1924

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drawing, pencil

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portrait

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drawing

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caricature

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pencil sketch

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pencil

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expressionism

Dimensions height 185 mm, width 114 mm

Editor: This is Erich Wichmann’s "Karikatuur van een journalist," likely from 1923 or 1924, created using pencil on paper. It has a really haunting, almost spectral feel to it, despite the simplicity of the lines. What stands out to you when you look at it? Curator: It’s interesting to consider the choice of material here. Pencil, such a readily available and inexpensive medium, is used to depict a journalist, a figure embedded in the social and economic fabric of the time. How does the artist’s use of this mass-produced material speak to the role and perceived value of journalism in that era? Editor: So, you're thinking about how the humbleness of the pencil connects to the role of a journalist? That’s interesting! I hadn’t considered the economic implications of the materials themselves. Curator: Exactly. And beyond the economic, think about the accessibility. Pencil drawings are reproducible. How might that accessibility have affected the impact or reception of this caricature within its original social context? Editor: It makes me wonder if the artist was making a comment on the journalist profession itself. Like maybe that profession produces something that can easily spread? It's almost disposable, though with social impact? Curator: Precisely! Consider the labor involved. Quick, efficient mark-making. Wichmann isn’t precious here. It implies a rapid turnover, aligning with the daily demands of news production and the relentless consumption of information by the public. It could almost imply an opinion without taking too much responsibility. Editor: That makes sense! Looking at it again, the sketchiness does seem to mirror the immediacy of journalism. Thanks for pointing out the materiality of the work. I’m learning so much about the social context. Curator: And I find fresh perspective looking at it with you. By questioning material choices, we’ve unearthed deeper meanings in Wichmann’s work.

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