pencil drawn
aged paper
light pencil work
pencil sketch
old engraving style
personal sketchbook
ink drawing experimentation
pen-ink sketch
sketchbook drawing
pencil work
Dimensions: height 189 mm, width 140 mm
Copyright: Rijks Museum: Open Domain
Editor: So, here we have Lodewijk Schelfhout's "Portret van Jan Costerus," created in 1915. It looks like it was made with pen and ink or maybe pencil. I find its mood quite serious and the contrast between light and shadow very stark. What catches your eye? Curator: Immediately, I am drawn to the symbolism of the window and the books behind Jan Costerus. Windows often represent a perspective or new point of view, maybe even a sense of hope and opportunities; it might connect Jan with the world, whilst books speak of intellect, reflection, study, or introspection. How do you feel about this being a portrait and not just a sketch from memory? Editor: That's interesting. So, this person, Jan Costerus, really existed and this is how Schelfhout saw him? I guess I see more intentionality then, rather than pure artistic exploration. I had initially seen it as very expressive with lots of emotion in the lines themselves! Curator: Precisely. This work shows what Jan means to Schelfhout or rather what characteristics Schelfhout wants to be seen when we view Jan. What is more striking to you when examining the person: what he wears or how he holds himself? The imagery suggests that the sitter wants to be represented by the image that they see themselves in their head! What could his clothing represent? His job, social status, self-confidence, or humility? Editor: I see your point. The way the tie is done loosely indicates a profession perhaps linked to a study or that his intellect takes precedence over appearance. And maybe the books that fill his room mean to indicate how that pursuit and intellect affect everything that he is or strives to be. Curator: Yes, exactly! It is fascinating how symbols condense so much cultural information. The art reflects our continuous search to understand ourselves. Editor: It makes you think how portraits are never just about capturing a likeness, but about communicating identity through layered symbols and that those symbols evolve over time. It makes this artwork even more captivating.
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