Near the West Gate, Canterbury 1765

Curator: We’re looking at "Near the West Gate, Canterbury" by John Inigo Richards. Editor: It's so muted. A very gray, somber little watercolor. Curator: Richards, active in the late 18th century, often depicted landscapes and architectural scenes. This work highlights Canterbury's historical structures. Consider the paper itself, likely handmade, and the source of pigments; understanding the material conditions deepens our appreciation. Editor: And think about Canterbury's socio-political significance then. The West Gate wasn’t just a landmark; it was a checkpoint, a symbol of power and control. Curator: Precisely. Examining the procurement of materials alongside its subject matter allows us to consider this piece as a representation of place and power. Editor: A quiet representation, yet undeniably evocative of its time.