Portret van Jan Weissenbruch by Isaac Weissenbruch

Portret van Jan Weissenbruch 1840 - 1912

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drawing, pencil

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portrait

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drawing

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pencil sketch

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pencil

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portrait drawing

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realism

Dimensions height 156 mm, width 126 mm

Curator: This is Isaac Weissenbruch’s “Portret van Jan Weissenbruch,” dating from between 1840 and 1912, here at the Rijksmuseum. Editor: It's striking, this portrait. The lines are so raw, capturing a very direct, almost confrontational gaze. I'm immediately drawn to the contrast between the sharp strokes that define his features and the smoother shading of his jacket. What can you tell us about it? Curator: Well, this drawing was made using pencil and shows Jan Weissenbruch, likely the artist's relative. As a study in realism, it provides a compelling insight into the material practices of the artist: the graphite, paper, and techniques all contributing to this striking character portrayal. Editor: Absolutely. The fact that it's a pencil drawing lends it an intimacy, as if we're looking at a preparatory sketch rather than a finished piece. Knowing this is housed in the Rijksmuseum shifts my perspective somewhat. How does this fit within the museum’s broader collection, and what public role does it fulfill here? Curator: The Rijksmuseum provides context by exhibiting it amongst other drawings of the period, creating dialogues about portraiture. And further still, considering Weissenbruch's larger body of work, primarily landscapes, allows you to consider how art scenes have shifted. What are your thoughts on this idea? Editor: Yes, context is important. Looking at how he captures the individual here in a quickly drawn, realist manner is extremely insightful, but maybe also serves as a comment on the shift towards realism in public art sphere at that time. Curator: Indeed, these material conditions contributed greatly to how artists approached subject matter, and that the labor process of art contributes to meaning. It forces a critical gaze. Editor: Fascinating how a simple pencil sketch can open up avenues of considering not just the individual portrayed, but the artist’s methods, as well as what he wanted to present to society at the time. Curator: Exactly! A raw document like this gives so much nuance. It prompts us to think more expansively.

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