Portret van een man, aangeduid als Monsieur Tollenaere by Robert van Damme

Portret van een man, aangeduid als Monsieur Tollenaere 1880 - 1940

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photography

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portrait

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16_19th-century

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pictorialism

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photography

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historical photography

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19th century

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genre-painting

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realism

Dimensions height 82 mm, width 50 mm

Curator: What strikes me first about this vintage photograph is its quiet dignity. Editor: I agree, there's a stillness, almost a melancholy, emanating from the subject's eyes. It’s like peering into another era, full of untold stories and forgotten expectations. Shall we dive into the specifics? This piece is entitled "Portret van een man, aangeduid als Monsieur Tollenaere", a portrait of a man referred to as Mr. Tollenaere. It dates to sometime between 1880 and 1940 and it uses a photography medium to achieve this realistics image. Curator: Note the soft focus characteristic of pictorialism—almost dreamlike. But consider also the symbolic weight of portraits during this era; to be captured was an act of conferring social importance and status. How does the man's attire speak to the social conventions of his time? Editor: The suit and bowtie suggest a bourgeois identity, fitting within the social expectations of the late 19th and early 20th centuries. But I see something more. This portrait subtly underscores issues around male identity within a rapidly changing social and political landscape. Is he confident, defiant, or constrained by convention? It could all of these at once! Curator: Yes, he appears to be confined into the rigid oval. These types of photographic portrait settings often echoed a desire to fix, and to freeze, a particular social structure as much as any particular subject. Think how photographic technology itself becomes implicated in consolidating specific notions of class. Editor: Definitely. The man’s gaze also creates a feeling of distance. The photograph feels like both a way to hold onto the past and proof that you can never fully capture it. Curator: Precisely. This image resonates through its very tangible engagement with how memory operates—evoking a bygone time, one in which image-making was still invested with social aspiration. Editor: For me, its power lies in how it mirrors the enduring yet evolving struggles around identity and representation, something still relevant today. Curator: A fitting conclusion to our dialogue. This photographic portrait not only preserves a likeness, it invites us to examine the layered narratives of history, identity, and memory that intersect within it.

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