Schetsen van staande, leunende en zittende mannen by Bernard Picart

Schetsen van staande, leunende en zittende mannen 1683 - 1733

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comic strip sketch

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imaginative character sketch

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quirky sketch

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cartoon sketch

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personal sketchbook

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idea generation sketch

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sketchwork

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sketchbook drawing

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storyboard and sketchbook work

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sketchbook art

Dimensions height 130 mm, width 170 mm

Curator: This sketch, attributed to Bernard Picart, and created sometime between 1683 and 1733, offers us a glimpse into the artist’s process. The work, titled "Sketches of Standing, Leaning and Sitting Men," resides here at the Rijksmuseum. Editor: Immediately, the drawing’s playful simplicity strikes me. The lines are so economical, so efficient at capturing weight, posture, and even mood with the barest minimum. Curator: Indeed, this sketch seems like a spontaneous gathering, maybe a social club or even just men passing the time. What's compelling is how it offers insight into the societal norms surrounding masculine identity during the early 18th century. We can observe the importance of social interaction and attire. Editor: I'm captivated by the interplay of angles created by the limbs. There's a real geometry at play that seems quite intentional. The crisscrossing legs on the man at the left really arrest my eye. Curator: The work raises questions about public life at the time. These types of gatherings were important to forming social bonds and conveying social status. This simple pen and ink drawing illuminates some dynamics within early 18th century society. Editor: It also has the feel of a cartoonist’s study, where the characters appear in action within a defined space that doesn’t distract. In that sense, it calls attention to its design elements and evokes movement through carefully planned arrangements. Curator: Absolutely. This seemingly simple sketch functions almost as a record, both personal for the artist and telling regarding period life. The fashions, postures, and relationships create a valuable lens through which to view this era. Editor: For me, these spontaneous arrangements create something more abstract than historical document—but also engaging because of that, revealing forms interacting and establishing their own intriguing equilibrium. Curator: Well, whether a social study or aesthetic play, Picart’s sketch serves as a compelling record and raises crucial questions regarding class, comportment, and assembly in this historical moment. Editor: Agreed. It’s interesting how such humble materials and execution can offer so much richness for interpretation.

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