Keman (“Flower Garland” Temple Decoration) 1900 - 1925

Niiro Chōnosuke made these “Flower Garland” Temple Decorations, Keman, using what looks like cast iron. I can only imagine the patience it took to create these intricate sculptures that resemble flowers. There is something so intriguing about how Chōnosuke combines these hard materials into these circular, soft, floral forms. What was he thinking about when he made these? There is something magical about the symmetry and stillness of these objects. The flower on top looks like a lotus, an auspicious sign. I also wonder if the other flower shape is a chrysanthemum, which can be a symbol of longevity. I’m sure that when Chōnosuke made these he was in conversation with other artists and artisans. All artists are in dialogue, picking up where others have left off and continuing to explore the possibilities of their material. Chōnosuke’s work is a testament to this ongoing exchange, reminding us of the beauty and interconnectedness of artistic creation.