Jasper Johns by Andy Warhol

Jasper Johns 1972

0:00
0:00

Dimensions: image: 9.5 × 7.2 cm (3 3/4 × 2 13/16 in.) sheet: 10.8 × 8.5 cm (4 1/4 × 3 3/8 in.)

Copyright: National Gallery of Art: CC0 1.0

Curator: Before us, we have Andy Warhol's photograph of Jasper Johns, a C-print made in 1972. A pretty direct portrait it seems at first glance. Editor: It’s stark, almost aggressively so. Johns is dressed up, but the light is unforgiving. You see every line, every blemish. What's going on behind his eyes? Curator: It speaks to the evolving role of the artist within society at that time, right? A sort of collision between artistic innovation and established norms. We see the modern artist as a public figure. Editor: Exactly. The photo itself—the C-print—is a fascinating process. Warhol really exploits that instant color effect, but in a raw, almost crude way. This wasn't about perfection. It was about speed, access, and volume production. And you get these odd, sort of fleshy tones. Curator: True, Warhol and Johns shared this ability to take commonplace imagery, mass production techniques, and transform their contextual understanding. Think about the layering, how the image presents masculinity and self-expression within very constrained structures, like the bow tie. There's a tension. Editor: Definitely. Warhol's work especially has that feeling of art emerging directly from the means of its production. The disposable nature of the polaroid contrasts so dramatically with the formal attire—the labor of dress. Are we consuming the man or the image? Curator: And of course, that very consumption ties into broader societal frameworks and artistic identity. What this artwork really achieves, I think, is exposing how artists both create and become commodities within consumer culture. The camera is more about unveiling than making. Editor: Ultimately it’s about showing Johns as a material fact and cultural product of his time. That Warhol achieved so much from very accessible things... a lot of modern material can hide in that process, you can almost forget that it's there. Curator: Well, the layers certainly invite conversation, even all these years later. Editor: Indeed, makes you think of the way the media still treats celebrity today!

Show more

Comments

No comments

Be the first to comment and join the conversation on the ultimate creative platform.