The Last Judgment triptych, right wing, Praying donor Catherine Tanagli with archangel Michael 1471

Here, we see Hans Memling's oil on panel depiction of Catherine Tanagli with Archangel Michael, part of "The Last Judgement" triptych, from the 15th century. This panel offers a glimpse into the intricate relationships between faith, patronage, and gender roles in the medieval world. Catherine, the donor, is portrayed in a state of devout prayer, seeking intercession from the Archangel Michael. Her inclusion underscores the vital role wealthy women played in commissioning art during this era, and in shaping their own narratives within a patriarchal society. The choice to depict Catherine alongside Michael—the leader of the heavenly host—speaks to the aspirations of both patron and artist. Memling masterfully weaves together the earthly and the divine, inviting us to consider the emotional weight of faith, and the complex negotiations of power and piety that defined the lives of women like Catherine Tanagli.