Hemelvaart van Maria Magdalena 1612

Raffaello Schiaminossi created this engraving, “Ascension of Mary Magdalene,” at the turn of the 17th century. During this period, religious art served not only to inspire faith but also to shape perceptions of gender and power. Here, Mary Magdalene ascends to heaven, lifted by cherubic figures. This depiction occurs in the context of a long history of portraying Magdalene—sometimes as a repentant sinner, other times as a devoted follower of Christ. Schiaminossi’s engraving participates in this history, presenting Magdalene as a figure of grace. Consider how her upward gaze and clasped hands evoke piety, while the cherubs accentuate her purity. The image thus encourages reflection on the roles women have been historically assigned. It navigates the complexities of sin, redemption, and the idealized feminine. Ultimately, this engraving offers a glimpse into how religious narratives were visually constructed and disseminated. It reflects enduring societal values and beliefs about gender and spirituality.