View of the upper floor of the menagerie of wild beasts made ​​by Domitian for the use of the Flavian Amphitheatre, commonly known as the Curia and Ostilia by Giovanni Battista Piranesi

View of the upper floor of the menagerie of wild beasts made ​​by Domitian for the use of the Flavian Amphitheatre, commonly known as the Curia and Ostilia 

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drawing, print, etching, photography, graphite, pen, engraving, architecture

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drawing

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print

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etching

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sculpture

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perspective

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form

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photography

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romanesque

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ancient-mediterranean

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black and white

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arch

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line

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graphite

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pen

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cityscape

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engraving

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architecture

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realism

Giovanni Battista Piranesi created this etching titled, *View of the upper floor of the menagerie of wild beasts*, to document Roman architectural ruins, and the rediscovery of classical antiquity, in 18th century Italy. Piranesi captures the emotional experience of confronting the remnants of a once-powerful empire. The crumbling edifice of the menagerie serves as a poignant reminder of the transience of power and the passage of time. His detailed work romanticizes the ruins, creating a narrative about the rise and fall of civilizations. This piece invites reflection on how societies construct identities through architecture and cultural memory. By documenting these ruins, Piranesi contributed to a cultural movement that sought to reconcile the grandeur of the past with the realities of his present.

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