Couleurs I 2020

Editor: Aboudia's "Couleurs I," created in 2020 with mixed media, makes a strong impression. The figures, rendered in bold strokes of color, feel raw and almost primal. What’s your take on the energy that jumps off this canvas? Curator: Aboudia’s work often pulls directly from the visual landscape of Abidjan, Côte d'Ivoire, where he lives and works. Think about the history of street art and graffiti as tools of social commentary and visual communication, particularly in marginalized communities. Could these figures be read as a reflection of that environment? Editor: I see what you mean. There’s a kind of chaotic beauty, similar to street art. But these figures, are they representative of specific people, or are they more symbolic? Curator: That's a crucial question. Aboudia often depicts children he encountered on the streets. However, these are never simple portraits. Instead, consider them as archetypes, standing in for a generation marked by conflict and rapid urbanization. How does the bright palette play into this tension? Editor: It’s interesting you say that because the vibrant colors contrast with the intensity in their eyes. Almost like a mask. So it reflects on that? Curator: Exactly. This juxtaposition of playfulness and serious commentary creates a powerful dialogue. Aboudia’s work challenges us to see the vibrancy and the underlying socio-political narratives intertwined within urban life. Editor: That’s fascinating. I'll definitely view Aboudia's work in a new way after understanding the cultural and social influences embedded in this work. Curator: Absolutely. Examining the broader context helps us unpack not just what we see, but *why* it resonates. The socio-political forces are very strong.