Villefranche sur Mer by Grace Albee

Villefranche sur Mer 1929

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print, woodcut

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art-deco

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print

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landscape

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woodcut

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cityscape

Dimensions 12.7 x 9.8 cm

Curator: Grace Albee's "Villefranche sur Mer," a woodcut from 1929, presents a compelling image of a coastal town. What are your immediate thoughts? Editor: The high contrast immediately grabs me; the stark black and white creates a somewhat theatrical, almost gothic atmosphere. The densely packed houses seem to cling to the hillside, dominated by the dramatic, textured cliff behind. Curator: Absolutely. Let’s consider Albee's meticulous technique. A woodcut requires tremendous skill; the artist carves away at a block of wood, leaving the raised areas to be inked and printed. Look at the precision of her lines in rendering architectural details and the textures of the landscape. It's laborious work, but she manages to evoke a sense of place with surprising efficiency. Editor: That craftsmanship speaks to the larger art deco movement, though – a period where hand-crafted and machine-made aesthetics blurred, and prints like these found an expanded audience. This particular print would likely have circulated through galleries and print clubs, solidifying Albee’s position within the art world and contributing to a growing fascination with the 'exotic' appeal of European locales. Curator: Precisely, and the reproducibility of the print allows it to travel, further popularizing the town of Villefranche and creating this romantic image for an audience possibly unfamiliar with the area, thus participating in creating collective memories. It reminds us how visual media can actively shape social perceptions. Editor: And it’s worth noting how the print is itself an object of social value, bought and sold and exhibited within a network of artistic institutions. This particular landscape view reinforces a certain tourist-friendly vision of the South of France—appealing to those who wish to possess a piece of that idyllic setting. Curator: Ultimately, examining "Villefranche sur Mer" reminds us that a seemingly simple landscape is infused with socio-political and material processes. Editor: It really invites us to reflect on how these elements can come together to create powerful narratives and shape cultural perceptions.

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