Ter ondersteuning van de slachtoffers van de aardbeving in Japan 1923 by Jacob Jan van Goor

Ter ondersteuning van de slachtoffers van de aardbeving in Japan 1923 1923

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relief, bronze, sculpture

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portrait

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sculpture

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asian-art

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relief

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bronze

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figuration

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sculpture

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history-painting

Dimensions: diameter 4.1 cm, weight 34.94 gr

Copyright: Rijks Museum: Open Domain

Curator: Here we have "Ter ondersteuning van de slachtoffers van de aardbeving in Japan 1923" by Jacob Jan van Goor. The piece, dating back to 1923, is a bronze relief. Editor: My first impression is the palpable tension between the two figures depicted. They’re in what looks to be a formal setting. There’s a sense of a silent agreement hanging in the air. The restrained, almost monochromatic palette adds to the somber mood. Curator: Absolutely. It's a powerful example of how art becomes intertwined with material aid. The bronze medium itself is key. It signals both durability and the intrinsic value placed on this object, intended for fundraising following the devastation of the 1923 Great Kantō earthquake. Editor: And note how the relief's shallow depth forces a close viewing. We become intimately aware of the textural differences between the figures' clothing and the smooth surface. The lines are clear and classical. Curator: Right. The choice to cast this image in bronze speaks to broader notions of historical record-keeping and commemorating solidarity between nations. It raises questions of who is producing the help, who is consuming the image of aid, and the politics inherent in those exchanges. It becomes less about immediate help but about future memory. Editor: I'm captivated by how van Goor captured a very solemn occasion by just using the medium and his composition. The text etched into the medal, too, contributes by naming who and what event this relief relates to. A beautiful dedication. Curator: Agreed. This bronze relief really embodies a whole network of support, value and purpose surrounding an event that has been immortalized for centuries. Editor: It also leaves us pondering our own present, asking ourselves if we do enough to create material change in the art that reflects the culture of the era. Curator: Indeed, thank you for joining me on this analysis, it has helped open my mind further to Jacob Jan van Goor's process of work and creation!

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