Tekst over Philippus de Monte (tweede blad) by Anonymous

Tekst over Philippus de Monte (tweede blad) 1596 - 1603

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drawing, paper, ink

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drawing

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paper

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ink

Dimensions: height 430 mm, width 270 mm

Copyright: Rijks Museum: Open Domain

Curator: Isn’t it fascinating to consider that sometimes, art isn't just about pictures? It’s also about words, about the act of documentation, about celebrating fellow artists. Editor: Indeed! I’m looking at this drawing titled "Tekst over Philippus de Monte (tweede blad)," made with ink on paper between 1596 and 1603 by an anonymous artist, at the Rijksmuseum. It’s essentially a page of meticulously handwritten text. It feels… almost like a dedication or a biographical note. What can you tell me about a work like this? Curator: You’re right, it's a dedication, a laudatory text about the composer Philippus de Monte. Imagine, someone felt so moved by his music that they transcribed this elaborate praise. I see this piece as a testament to the power of art appreciating art, of one creative mind recognizing another. The handwriting itself, the flourish of the script, adds to its artistic merit, don’t you think? Editor: Absolutely, the calligraphy feels like its own form of artistic expression. Almost like illuminated manuscripts. What strikes me is that this feels very personal. It seems to hint at the respect for Philippus, it is a piece to immortalize him, or his work at least. Curator: It also opens a window into the cultural milieu of the time. There was a great emphasis on praising each other, not so unlike modern art practices, albeit, online through "likes" or comments. It begs to ask if there are dedications or eulogies, in writing, today. How might these transcriptions look? It's rather an incredible act, wouldn’t you agree? Editor: I agree! I guess I hadn’t considered the writing to be a creative act in itself, but it clearly is here. Curator: Exactly! And it enriches the whole understanding. We can appreciate not only the artistry but also the dedication and human connection behind it.

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