Diana and Acteon c. 16th century

Curator: This ink drawing, "Diana and Acteon," is attributed to Jan Speckaert and resides here at the Harvard Art Museums. Editor: It feels both frenetic and frozen—the figures contorted, yet suspended in a moment of tense anticipation. Curator: Absolutely. The myth of Acteon is a potent one. He accidentally stumbles upon Diana bathing, a sacred transgression leading to his transformation into a stag and subsequent demise by his own hounds. The hunter becomes the hunted, you see. Editor: The artist uses the brown ink wash to build incredible depth, layering darkness to emphasize the drama, the violation. It's all about contrasts—the stark light on the nymphs' bodies against the shadowy woods. Curator: Note how Speckaert uses the figure of Diana, poised with her spear, as a symbol of both purity and vengeful power. The figures around her, caught in postures of shock and vulnerability, underscore the weight of the unfolding tragedy. The image speaks to so much regarding transgressive vision. Editor: It does make you reflect on how form and content combine to create an unnerving, psychologically complex viewing experience. Curator: Indeed, a glimpse into the enduring power of myth made visible.