Heddle pulley c. 20th century

Curator: Here we have a Heddle Pulley, crafted by the Senufo people around the 20th century. It is currently held in the collection of the Minneapolis Institute of Art. Editor: First thought? A watchful stillness, carved right out of wood, the color of earth itself. Like some ancient guardian spirit, patiently observing. Curator: Indeed. Note the pronounced verticality; the sculpture extends upward, emphasizing height and perhaps conveying a sense of elevation or importance. Editor: And there's a peculiar story it seems to whisper, what's up with the figure riding the four legged animal? Some kind of folklore thing? Curator: Exactly! This work integrates a human figure on what looks like an animal – maybe a dog – positioned above the pulley mechanism. These pulleys were essential tools in weaving, connecting the practical act of textile creation with Senufo beliefs and artistry. Editor: I see... The textures feel intentional too, this roughness. Were those deliberately carved for function or were those also designed with intent? Curator: Likely, both. These tools, while utilitarian, weren’t made purely for practical use. Notice the careful modeling of the figures, suggesting cultural and symbolic importance within the society that created them. Editor: Almost like adding poetry to necessity. A good metaphor on how any thing can transcend its original role. Curator: A rather fitting sentiment, and the structure implies the balance of dual purposes between the beautiful and the essential, weaving tales and textiles alike, in effect. Editor: Okay, I think I get this! So, there are these tangible skills involved but then this extra step of artistry on top! Adding soul to substance! Curator: Precisely, elevating the tool, literally and figuratively. Editor: So here's to old guardians! Both this artwork but all kinds of artworks across the universe. Curator: To weaving worlds and holding threads, materially and imaginatively, together.