Andiron with figure of Minerva (allegory of War) (one of a pair) 17th century
metal, bronze, sculpture
allegory
baroque
metal
sculpture
bronze
figuration
sculpture
men
decorative-art
Dimensions Height: 35 in. (88.9 cm)
Curator: Here we have a bronze andiron dating back to the 17th century, crafted by Girolamo Campagna. This particular piece, one of a pair, presents Minerva, the allegory of War, in a classically Baroque style. Editor: It's striking how severe it looks, almost stern. The dark bronze, the spear, even the pose feels incredibly deliberate. It seems to demand respect, even from this distance. Curator: Indeed. What's fascinating to me is how Campagna utilized bronze casting techniques available at the time, particularly within a domestic piece. This wasn’t destined for a public square; it’s an andiron, meant to sit within a fireplace, supporting burning logs! Its domestic placement clashes wonderfully with the allegory of warfare. The act of labor, in making these andirons, becomes integral in the experience of ‘high art’. Editor: It makes you think about who would commission such a piece. What kind of statement was being made by heating your home with such an imposing symbol? A very explicit claim about power, class, and perhaps the owner’s association to larger structures of authority and privilege. This would have served as a constant reminder and reinforcement within the domestic space, not merely a functional item. Curator: And note the material itself. Bronze wasn't a readily available or cheap resource. The financial implications point towards the commissioner's standing, influencing their choice of decorative art over something more… practical. Also, observe the small cherubic figures supporting the urn. It's not purely about military might, but how it integrates into life and even perceived beauty. Editor: Exactly. And within the broader sociopolitical sphere of the 17th century, war wasn’t a distant concept, so it brings in these themes of violence, state power, and the normalisation of the symbols that support these hierarchies, all literally underpinning the comfort and leisure of domestic life. Curator: In closing, thinking about an andiron allegorizing warfare provides an amazing opportunity for studying class structures, means of material production, and decorative taste! Editor: Ultimately, this 'domestic war goddess' prompts us to critically engage with the power dynamics embedded in the objects we surround ourselves with daily.
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