print, textile, paper, photography
parchment
old engraving style
textile
paper
photography
folk-art
historical font
Dimensions height 365 mm, width 271 mm
Curator: So, what strikes you first about this "Bladzijde uit het Oera Linda-Bok" from 1875? Editor: Well, first off, it’s at the Rijksmuseum, which I find kind of surprising. I mean, looking at it, it looks like a page from a very old, possibly illuminated manuscript or something… the old engraving style text and those… diagrams? They give it a very historical, maybe even mystical mood. How do you interpret this work? Curator: It's precisely that “mystical mood” you identified that interests me. This page isn't just an old document; it's a fragment of a constructed historical narrative, specifically, a 19th-century Frisian nationalist text. Have you thought about what that means? Editor: I guess not...I was just kind of taking it at face value. Frisian nationalist? Curator: Yes, it’s deeply embedded in ideas of identity and origins. The Oera Linda Book was presented as a genuine ancient manuscript. Now widely considered a hoax. Its importance lies in what it reveals about the construction of identity. How narratives, even false ones, can be incredibly powerful in shaping cultural identity. Do you think understanding its true nature changes how we should view it? Editor: That does shift things a lot. It's strange to think about something pretending to be historical being displayed in a place dedicated to genuine history! Curator: Exactly! Now, consider the visual elements again—the old engraving style text, the diagrams. How do they contribute to this constructed history? Editor: I see your point. They are trying to *look* authentic and ancient to add weight to the fabricated history. It’s like they're using aesthetics to try to convince people of its legitimacy. Curator: Precisely. The Oera Linda Book serves as a potent example of how history can be invented. The social context and politics of the time, it provided a mythical past for the Frisian people. Editor: Wow, that’s a lot to consider! I definitely see the piece differently now, more critically I suppose, by focusing on historical narrative and construction of identity!
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