Portret van een onbekende vrouw op een stoel by Leopold Haase & Co.

Portret van een onbekende vrouw op een stoel 1860 - 1870

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photography, gelatin-silver-print

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portrait

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photography

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gelatin-silver-print

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nude

Dimensions height 85 mm, width 53 mm

Curator: Here we have "Portrait of an Unknown Woman in a Chair," a gelatin silver print attributed to Leopold Haase & Co., dating from around 1860 to 1870. Editor: Well, she certainly cuts a striking figure, doesn't she? The monochrome gives a severe elegance, but her expression suggests a world of unspoken stories, a bit like a faded daguerreotype of Victorian secrets. Curator: Exactly. The gelatin silver process allowed for finer detail than earlier photographic methods, but remained bound by conventions of display. Portraiture during this period was about projecting a certain status. Photography was also democratized. Editor: She seems cocooned, almost swamped by that voluminous gown. But it's not unattractive, more… theatrically pensive? Makes you wonder if she felt defined, or confined, by these rigid societal norms and the very act of sitting for the photograph. Did she like doing that? Did anyone? Curator: Absolutely. This pose and presentation adhere to very particular social codes that emerged and solidified during that period. Notice how controlled and demure she is positioned in her presentation, down to her covered hair and placement of the arms. Every element signifies restraint. Editor: I’m still wondering who this woman was beyond the gown and the pose? What were her dreams? What kind of shenanigans was she not photographed doing? Curator: Photography had begun influencing how society perceived and documented identity; there was power in how the photographic portrait was interpreted, influencing or reinforcing the subject’s personal and social narrative. Editor: I think seeing it today gives me more ideas than the photographer likely intended for sure. Curator: Looking at this, you start to think of the legacy these images have when you revisit them in new contexts; something meant to solidify someone’s place is now sparking something unexpected. Editor: Well, hopefully she’s amused that we are analyzing her over a century later! I guess art does find a way to echo and change across time.

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