Isegrims Gattin Giremund Gibt Sich Reinecke Hin 1920

Lovis Corinth made this color lithograph depicting a scene from the medieval tale of Reynard the Fox. The story, popular in Germany during Corinth’s time, involves animals acting as stand-ins for people, and it is a savage satire of human society. Here, we see the wolf Isegrim’s wife offering herself to Reynard, underscoring themes of betrayal, sexual transgression, and the deceptive nature of appearances. Corinth’s Expressionist style only heightens the sense of unease. This print was made during a time of rapid social and political change in Germany. Corinth and other artists associated with the Berlin Secession were interested in challenging traditional academic art, but they were also invested in Germany’s literary and artistic heritage. Corinth illustrates a medieval story using modern, anti-naturalistic techniques. To better understand this print, scholars might consider period illustrations of Reynard the Fox, as well as the reception of Expressionism within Germany’s artistic institutions.