Fashion and Elegance: Fashionable Ladies and Gentlemen of the 1740s 1744
engraving
portrait
baroque
pen sketch
figuration
engraving
Dimensions height 278 mm, width 187 mm
Louis Truchy created this print, Fashion and Elegance, in the 1740s. At first glance, the figure's placement on a tiled floor directs our eyes upwards, toward the man's face, highlighted by the white background and clothing. The statue on the left serves as an anchor, balancing the composition. Truchy uses fine lines to define form and texture, capturing the sheen of fabrics and the details of attire. The subject holds a tricorne hat, indicative of his status and fashion awareness. The tiled floor and classical sculpture introduce a semiotic interplay between modernity and classicism, suggesting an era preoccupied with both progress and historical awareness. The print challenges the period's values, reflecting the Enlightenment era's move towards reason and individualism, yet also embracing the ornate extravagance of the aristocratic class. This tension creates a dynamic visual language that reflects the societal complexities of the time. Notice how Truchy's calculated lines and forms work in harmony to convey a narrative of social and philosophical discourse.
Comments
During the early 18th century small series of costume plates reported on the fashion of the day. Women wore the loose-fitting robe volante, also called a ‘sack-backed gown’ in English, over which women sometimes added a short, hooded cloak known as a bagnolette. Men dressed in long coats over a waistcoat and knee-breeches. Pig-tail wigs were adorned with large bows, and tricorne hats were tucked under the arm rather than worn on the head. The two large prints from around 1760 show Parisians out for a stroll. Curiously, the women wear wide paniers (hoop skirts) for their promenade on the ramparts. In the caption underneath, they are condemned as silly slaves of fashion who blindly follow the dictates of the latest trends.
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