Eight album leaves from a miniature album 1736 - 1795

These album leaves were made with ink and color on paper, by Prince Cheng Yongxing, a member of the Chinese aristocracy. Landscape painting in China was not just about depicting nature, it was a sophisticated means of expressing social and cultural values. The mountainous scenery and the calligraphic inscriptions aren't simply decorative. They reflect a deep connection to the natural world but also refer to a system of scholarly pursuits and moral cultivation valued by the Chinese elite. Artists often drew inspiration from classical literature and philosophical ideas, infusing their paintings with layers of meaning that would be understood by educated viewers. The presence of calligraphy alongside the painting is significant, as it combines visual and literary arts, reflecting the artist's erudition. To fully understand album leaves like these, we need to delve into the social and intellectual world of its time, examining texts, records, and cultural histories to enrich our understanding.