[Morrell] 1860s

Maurice Stadtfeld captured this albumen silver print, titled [Morrell], in the United States. The photograph's popularity in the late 19th century was closely linked to broader social and cultural shifts. The carte-de-visite, a small paper photograph mounted on card stock, emerged as a widely accessible form of portraiture. Its affordability democratized image-making, allowing individuals from various social strata to participate in visual culture, challenging the traditional exclusivity of painted portraits for the upper classes. Considered an emerging visual medium, the carte-de-visite became a tool for constructing and disseminating identities. People exchanged these cards with friends and family, but they also collected images of celebrities and public figures, forging a sense of connection with those in the public sphere. Historical archives, photographic journals, and studio records offer invaluable insights into understanding the evolving role of photography and its interaction with social dynamics. Through further examination, we can unravel the complex interplay between the individual, society, and the lens during this transformative period.