IJsvogel 1716 - 1783

Barbara Dietzsch painted this Kingfisher, or IJsvogel, sometime in the 18th century, using traditional pigments on vellum. The smooth surface of the vellum allows for an incredible level of detail. Look closely, and you'll notice the meticulous layering of paint, building up the bird’s iridescent feathers. Each tiny stroke contributes to the overall realism. It’s a labor-intensive process demanding immense patience. The effect of the watercolor applied to this parchment material is of a delicate, matte finish. Although Dietzsch worked before industrialization, this exquisite level of finish speaks to the patronage system of the time. Talented artists like her were commissioned to create luxury items for wealthy clients, demonstrating her skill, and their discerning taste. Her artwork sits at the intersection of art, science, and commerce, reflecting the social and economic realities of her time. When we consider the materials and the making, we see how "fine art" is often deeply intertwined with craft.