Costume design for ballet "Tricorne" 1917

Editor: Here we have a watercolor drawing by Pablo Picasso, a costume design for the ballet "Tricorne," created in 1917. The figure is quite flamboyant, with vibrant colors. How can we interpret the social context of this sketch? Curator: Excellent observation. Considering its creation during World War I, this costume design, and indeed the entire ballet, becomes quite interesting. Ballet Russes, for whom Picasso designed, sought to provide a dazzling escape from the grim realities of wartime Europe. Does that frame change your interpretation? Editor: Yes, it adds a layer of meaning. The exaggerated opulence feels like a deliberate counterpoint to the austerity of war. Were there other factors influencing Picasso's choices at this time? Curator: Absolutely. Consider the rise of nationalism. "Tricorne" tells a Spanish folk tale, aligning with a broader trend of celebrating national identities through art and performance. And Picasso himself, a Spaniard, might have felt a pull toward his roots during this turbulent period. Do you think that explains why Picasso designed many costumes in this period? Editor: That makes sense. I was thinking, what might have been the contemporary audience reaction towards such costume and dance at a moment of nationalism in Europe? Curator: Some saw it as escapist and celebratory, others probably questioned its relevance amidst immense suffering. What strikes me is how cultural productions become intertwined with prevailing political ideologies, creating both a reflection and a refraction of their historical moment. What will you take away from your visit to this artwork? Editor: I now appreciate how the apparent whimsy of a costume design can reveal complex cultural negotiations during a pivotal historical period.