Order of Saint Michael 1701

Curator: Okay, let's discuss this remarkable piece: Andrè Chalochet's "Order of Saint Michael," created in 1701. It’s currently housed at the Met. Editor: Yes! I find the circular composition striking; the engraved metal is so ornate and full of allegorical meaning, especially in the contrast of Saint Michael standing over the defeated figure. What stands out to you the most about this work? Curator: Immediately, my attention is drawn to the material execution. Note how Chalochet, though working in metal, evokes the sensibilities of a painter. The depth and texture he achieves through carving are exceptional. Editor: Absolutely. And I noticed the sword held by the angel. It really draws the eye. Curator: Precisely. That leads us to consider the socio-political context. This piece isn't merely decorative; it’s a symbol of power and patronage, produced through the skilled labor of artisans like Chalochet. How does the creation and use of such an object influence its interpretation? Editor: That’s fascinating. So, beyond the religious symbolism, it's also about the status and resources of those who commissioned and wore it. The object embodies power in many ways. Curator: Indeed! It asks us to reconsider what we value in art: not just the artistry, but the labor, resources, and the socio-economic context that gives rise to its existence and continued valuation. What has this examination revealed to you about these engraved decorations? Editor: I’ve gained a richer understanding of how this seemingly straightforward artwork can be a complex cultural artifact, reflecting the processes, social relations, and power structures of its time. Curator: Exactly. Material realities shape artistic expression and artistic consumption shapes those material realities.