50 mark notgeld uit Duitsland, Höhr, Coblenz, 1921 by A. Kamp

50 mark notgeld uit Duitsland, Höhr, Coblenz, 1921 1921

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Dimensions: diameter 3.0 cm, weight 4.67 gr

Copyright: Rijks Museum: Open Domain

Editor: Here we have "50 mark notgeld uit Duitsland, H\u00f6hr, Coblenz, 1921", which is German emergency money from 1921, crafted from ceramic. The imagery is surprisingly crude, almost medieval in its depiction, but the circular shape reminds me of ancient coins. What are we looking at here? Curator: Indeed. Think of the circle, Editor, as the unending cycle, the Ouroboros devouring its own tail. Money is the lifeblood of society, yet in times of crisis, it can become monstrous, feeding on itself. The ceramic, too, is telling – it's humble, elemental. Unlike gold or silver, it speaks of a grounding, a connection to the earth from which it came when conventional currencies fail. Editor: So the material itself carries meaning, beyond just being a practical choice? What about the images? Curator: Look at the central emblem on one side - it seems to be some kind of stylized coat-of-arms, doesn't it? The image seems burdened, drooping perhaps under the weight of the economic strain. This imagery is deliberate. The issuing authority are saying this is what backs the money, this image of the land, its people and their collective resolve to carry on. Editor: That's fascinating. And the other side simply states the denomination and origin... It seems more straightforward, like any other coin? Curator: True, but consider the lettering. Note its uneven, almost naive quality. Does it speak of stability, Editor, or a fragile attempt to maintain order in the face of chaos? Notice too, the repetition in the border, this reinforces an emotional message: everything will continue to flow, one step at a time. Editor: It’s unsettling to think that such a simple object could contain so much history and emotional weight. Curator: Precisely! These symbols and materials carry echoes of cultural anxieties, fears about economic breakdown, and perhaps, resilience. Always look for the stories objects tell beyond their surface.

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