Laatste Avondmaal 1522

This is an engraving of the Last Supper, made by an anonymous artist. It represents a pivotal moment in Christian theology, yet the absence of a known artist opens a fascinating inquiry. Was this choice a reflection of the time, or was it perhaps a conscious decision, a way of universalizing the image and message? The setting is within a grand, cathedral-like space, but who are these figures gathered at the table? Are they meant to represent a specific race or class? Or are they, too, meant to stand for all of humanity? It is intriguing how this religious scene is re-imagined through the lens of anonymity, prompting us to reflect on the intersection of faith, identity, and representation. Consider what it means to depict an event so deeply personal and spiritual, yet strip it of a singular artistic identity. This engraving challenges us to find our own place within the narrative.