Gezicht op de buitenplaats Elsenburg aan de Vecht by Daniël Stopendaal

Gezicht op de buitenplaats Elsenburg aan de Vecht 1790

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print, engraving

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neoclacissism

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print

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old engraving style

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landscape

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cityscape

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engraving

Dimensions: height 160 mm, width 202 mm

Copyright: Rijks Museum: Open Domain

Curator: Here we have Daniël Stopendaal’s "View of the Elsenburg Estate on the Vecht," dating back to 1790. It's an engraving, showcasing the Neoclassical style. Editor: My first impression is of order, of manicured space. The symmetry of the house is almost too perfect, contained. Curator: Yes, and Stopendaal, as a printmaker, was engaged in a specific kind of labor, reproducing images for wider circulation. Consider the social function: distributing images of wealth and status to a burgeoning middle class. Editor: It’s so carefully composed, isn’t it? The lines of the trees on the left mirror the fence curving around the building; they draw your eye right into the facade. Note the almost mathematical precision in the perspective. Curator: I'm intrigued by what appears to be some children playing near the lower centre, seemingly oblivious of their location or its aesthetic appeal, and other passers by enjoying leisure time. I also note some very rudimentary fishing at the rear! They contrast with the overall formal garden composition. Was it for aesthetic appeal only? Was it built on exploited labor, perhaps? Editor: I find the engraving's limitations fascinating. The cross-hatching creates texture, almost tricking the eye into believing it sees shading and depth. It’s a translation, really, of three-dimensional space into two, and relying on the skill of the viewer to assemble. Curator: The work does trigger my sense that material conditions influenced not only the subject but also its dissemination and, I would argue, the very perception of "landscape" as a marketable commodity. Editor: Perhaps. For me, it represents an intriguing dance between intention, method and interpretation. Its balanced asymmetry, clean line work, is where its strengths lie! Curator: It offers us, undeniably, a visual portal to contemplate how aesthetics intertwines with the socioeconomic factors that mold their making. Editor: Agreed; examining it with meticulous vision truly reveals the core structures upholding it.

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