Penning met portret van Sigismund III, koning van Polen en Zweden by Anonymous

Penning met portret van Sigismund III, koning van Polen en Zweden 1622

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print, engraving

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portrait

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medieval

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print

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old engraving style

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limited contrast and shading

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history-painting

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coin

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engraving

Dimensions: height 58 mm, width 28 mm

Copyright: Rijks Museum: Open Domain

Curator: This small engraving from 1622 purports to be a portrait medal of Sigismund III, King of Poland and Sweden. What's your immediate impression? Editor: Well, the stark contrast between the dark lines and the light background immediately grabs me. It feels almost like a woodcut, with a strong, graphic quality despite its diminutive scale. Curator: Indeed. The choice of engraving for such a subject reveals quite a bit about its purpose. Medals, even in printed form, circulated as symbols of power and legitimacy. The likeness of Sigismund, accompanied by his royal insignia, reinforces his divine right to rule, especially given the political tensions of the period. Editor: I see what you mean. Structurally, the composition is clever. The two circles, one showing the king’s profile and the other his coat of arms, create a sense of balance. But those dense fields of heraldic symbols are quite intricate, especially given the limitations of the medium. Curator: Absolutely. Creating and circulating prints such as these allowed Sigismund’s image to reach a broader audience, reinforcing loyalty to the crown beyond those who could access expensive painted portraits or cast medals. Consider how images function in a world without photography: disseminating engraved likenesses served very real political and social purposes. Editor: Yes, and when we examine the stylistic aspects of portraiture, the likeness with a crown, ruff collar, sword, and so on, projects an almost superhuman air, imbuing his figure with regal visual cues. Curator: Precisely. While this anonymous engraving might appear simple, it is in fact steeped in historical meaning. Editor: Seeing this engraving has heightened my understanding of its structural ingenuity, which reinforces its intended purpose of showcasing royal strength and reach through widespread, striking visual means. Curator: Reflecting on this image offers us a richer glimpse into the way leaders once leveraged artistry to shape public perceptions and cement their authority.

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