Portret van Wilhelmine Augusta Müller 1790 - 1812

Curator: This delicate print captures the likeness of Wilhelmine Augusta Müller. Created between 1790 and 1812, it’s an engraving rendered by Georg Christoph Walwert, a superb example of neoclassical portraiture. Editor: My first impression is one of reserved dignity. The oval format, the profile view, the subdued palette... it all lends an air of classical solemnity. Curator: Indeed. The profile portrait format itself harkens back to ancient Roman coins and busts. Think of the power dynamics involved here – this style elevated the sitter, connecting her visually to ideals of civic virtue and aristocratic lineage, even through the seemingly humble medium of a print. Editor: Absolutely. And consider the clothing and hairstyle; although finely detailed, there is nothing ostentatious. It's elegant restraint – signaling status without screaming it. I am also interested in what emotional response the viewer may have given the sitter at the time. Was this woman deemed desirable or accomplished? It might be worthwhile investigating. Curator: An important question. Engravings such as this were widely circulated. So, the image and, consequently, Wilhelmine herself entered public discourse in ways accessible to broad sections of society. Furthermore, the print medium meant these images could travel long distances to distant diasporas or different locales to forge new understandings. Editor: And what can be said of her gaze? I note she gazes resolutely forward and seems very composed, suggesting a strength of character that feels very intentional. I would imagine that very deliberate artistic decisions were involved in deciding her affect. Curator: Precisely! It underscores the conscious effort to present a composed and idealized image of womanhood, mirroring the values and philosophical aims championed during the Enlightenment. Through the proliferation of images like these, it allows a wider segment of society to participate and consume portraiture, creating a symbolic lineage for the individual that intersects broader public spheres. Editor: This piece speaks volumes about how even a small engraving carries cultural significance and societal values. What a treat! Curator: Indeed, this engraving demonstrates the far reach of the print market and its capacity to promote identity through controlled dissemination and imagery. A worthwhile endeavor!