Toneelspeler die zich voor een spiegel schminkt c. 1905

Isaac Israels made this drawing of an actor applying makeup in front of a mirror at an unknown date. Israels uses a limited palette of grey and white. It’s like he's sketching thoughts, not things. The way he renders the scene is so casual, so in the moment. Look at the table with the makeup, the mirror, and the hat. The lines are raw, but purposeful. Notice the hatching that defines the shadows, giving depth with such simplicity. It’s not about perfection, it’s about catching a vibe, an energy. The actor's figure is made of sharp, confident lines which creates an impression of movement. The actor is partially rendered with sketchy lines, unfinished. It reminds me of Degas, especially his backstage scenes. Both artists capture these private moments with a kind of tender respect. Art, for them, isn't about answers; it's about keeping the conversation open.