Kristus viser sig for Marie Magdalena 1891 - 1899

Henrik Bornemann made this print titled, "Christ Appears to Mary Magdalene," with etching. The composition balances depth and flatness, pulling us into the scene while reminding us of the picture plane. The figures, rendered in meticulous detail, stand out against the softer etched landscape. The contrast between light and shadow creates a somber and contemplative mood. Bornemann employs a semiotic language of faith. The figure of Christ, staff in hand, can be read as a signifier of guidance and authority, while Mary Magdalene’s kneeling posture embodies humility and supplication. These visual cues aren't just aesthetic choices; they reflect a broader cultural understanding of religious devotion. It prompts us to question the role of representation in shaping our perceptions of faith. The print’s success lies in its formal control and the way its elements work together to create a powerful symbolic encounter. The interplay of light, shadow, and carefully articulated forms gives a timeless piece that transcends its immediate subject matter.