Portret van Jordan von Wasserburg 1739 - 1782

This is a portrait of Jordan von Wasserburg, captured in an engraving by Gottfried von Steinberg, likely around 1759. During this time, images like this affirmed the sitter's position within religious and intellectual circles. The detailed rendering of Jordan's face and the inclusion of religious iconography, such as the crucifix and books, invite us to consider the performative aspects of identity in the 18th century. How does Jordan wish to be seen? The crucifix looming over his shoulder infers a life dedicated to Christianity, whilst the quill indicates that he is an educated man. Religious identity was not only a matter of personal belief, but also deeply entwined with social roles, expectations, and power dynamics. Consider the gaze of Jordan, directed away from the viewer, almost longing. This could be interpreted as an indication of spiritual contemplation, or perhaps a feeling of being restricted by social constraints. Steinberg's portrait encapsulates the complex interplay between personal identity, religious devotion, and social representation in 18th-century society.