Bank met hoog opgetrokken rugleuning en bekleed met zwart trijp c. 1921

This imposing bench was crafted by Wim Schuhmacher, and upholstered with black woollen velvet. It's a compelling example of the merging of art and functional design in the early 20th century. The bench's form is defined by the qualities of its materials: the solid, weighty wood, worked and joined, contrasted with the soft, inviting texture of the velvet. The dark hues emphasize the simplicity and the austerity of its design. The bench reflects the influence of the Amsterdam School, a movement known for its expressive use of brickwork and decorative details in architecture. Consider the social context in which this piece was created. Following the First World War, there was a renewed interest in craftsmanship and a desire to create objects that were both beautiful and useful. The bench, with its emphasis on quality materials and skilled construction, embodies these values. It serves as a reminder of the importance of considering the social, cultural, and historical factors that shape our material world.