paper, photography, gelatin-silver-print
portrait
paper
photography
historical photography
geometric
gelatin-silver-print
modernism
Dimensions: height 140 mm, width 105 mm
Copyright: Rijks Museum: Open Domain
These vintage photographs from the Estate of Isabel Wachenheimer are anonymous, which adds a layer of mystery. Each shot captures a young girl in a slightly different pose, like a series of fleeting emotions caught in a grid. You can almost feel the cool, smooth surface of the photographic paper. I wonder about the photographer, perhaps a local studio artist tasked with capturing the perfect school photo. Or maybe even a relative who was documenting stages of childhood? What do you think they said to her to catch those fleeting smiles? I'm curious about the girl's emotional state—the slight tilt of her head, the curve of her lips. And what do these images mean to the person who collected them? Did she know Isabel? Each photograph is an invitation to imagine what it was like to be her and to be a part of her life. These photographs are a reminder that artists and collectors are in an ongoing conversation. We’re inspired by each other’s creativity across time. Each photograph, each painting, offers us the freedom to embrace ambiguity and uncertainty, allowing for many interpretations and meanings.
Comments
In 1928 a daughter, Isabel, was born to Eugen and Else Wachenheimer. In 1934 they posed before the family home in Stuttgart on Isabel’s first day of school. The photograph at the lower right was taken almost ten years later (1943) in the Westerbork transit camp. Isabel had been rounded up in Amsterdam five months earlier. The family was first sent to Theresienstadt and then on to Auschwitz-Birkenau, where Eugen and Else were gassed. Isabel was condemned to forced labour.
Join the conversation
Join millions of artists and users on Artera today and experience the ultimate creative platform.