Armstoel met een bruin lederen bekleding by Hendrik Petrus Berlage

Armstoel met een bruin lederen bekleding 1902

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mixed-media, wood

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portrait

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mixed-media

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arts-&-crafts-movement

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form

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wood

Dimensions height 107.0 cm, width 66.5 cm, depth 72.5 cm, weight 14.4 kg

Curator: This object is an armchair, crafted around 1902 by Hendrik Petrus Berlage. You can find it here at the Rijksmuseum. Editor: It exudes a certain austerity, doesn’t it? The stiff, rectilinear structure…almost severe, yet comforting. Curator: Berlage, a key figure in Dutch architecture, designed this chair to explore form and materiality, specifically through the Arts and Crafts movement ideals. Notice how the structural elements—the wood frame and the brown leather upholstery—are meticulously exposed rather than concealed. Editor: Exposed indeed. It also prompts reflection on class and labour; handcrafted items like this represent an interesting departure from mass-produced furniture. Curator: Precisely. He emphasized functionality without sacrificing beauty, adhering to Arts and Crafts principles. Observe the minimal ornamentation; small nails are the only visible addition beyond the materials themselves, emphasizing geometric forms and honest construction. Editor: Right, this makes me consider who this chair was made for. Was it commissioned by a wealthy patron or intended for display, reflecting a certain progressive aesthetic amongst the bourgeois? I wonder about the absence of more intricate design flourishes… Was it intentionally subdued? Curator: These visual elements underscore the chair’s design. Consider its construction through structuralism. The relationships between its wooden frame and the leather panels show Berlage’s understanding of art as an assemblage of structured elements. The chair embodies a functionality born out of practical use and design ideology. Editor: But it also stands as a reminder of societal divisions, access to comfort, and our current focus on sustainability. What can this historic object teach us today, considering the furniture and labour practices that define modernity? Curator: The interplay of rigid lines and soft leather provides an interesting contrast. Editor: Definitely. By understanding its origins and inherent messages, this chair fosters important discussion. Curator: Agreed, considering form provides interesting entry points to such socio-political discussions.

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