7. The Alarm 1970 - 1971

Curator: Looking at Sidney Nolan’s “The Alarm” at the Tate, I’m immediately struck by the contrast: a stiff, formal figure juxtaposed with that dazzling peacock. There’s something unsettling about it. Editor: The peacock, traditionally a symbol of vanity and pride, stands in stark contrast to the figure on horseback, potentially an emblem of colonial authority. The juxtaposition creates a powerful critique of power structures and their inherent absurdity. Curator: It could also symbolize a disruption of the natural order, with the European intrusion represented by the rider, challenging the established indigenous presence of the peacock. Editor: I'm intrigued by the peacock's open display; it’s a recurring motif of ostentatious wealth, but also of resilience, often used to signify protection and watchfulness. Curator: Nolan was fascinated by Australian identity. His art frequently addressed the impact of colonialism, often exploring themes of displacement. It is a layered statement about the historical impact of empire. Editor: This work certainly leaves an impression, prompting consideration of how symbols can unveil complex narratives. Curator: Indeed, a stark reminder of how historical events have shaped identities and environments, and continue to resonate today.