Count Jenison Walworth 1837

Curator: Just look at him! Immediately I sense the weight of importance, the silent expectations clinging to that heavy fur. Does it give anyone else the urge to recline on a chaise lounge and mull over investments? Editor: We're here to discuss "Count Jenison Walworth" painted in 1837 by Franz Xaver Winterhalter, who worked primarily in oils. A beautiful example of the artist's romantic style, full of character. Curator: Character, indeed! Look at how Winterhalter uses shadow— it is very moody. Like he knows Jenison Walworth is thinking weighty thoughts or has secrets hidden beneath that confident surface. The composition is interesting: Walworth is positioned to almost overflow beyond this plane. The Romantic movement seems determined to immortalize people this way! Editor: His gaze is particularly striking; although direct, it possesses an ambiguity that beckons viewers to question the nature of aristocracy itself, beyond surface opulence. Observe how Winterhalter's mastery is on display, utilizing varied textures in his brushwork; you almost believe you can touch the softness of that magnificent fur. Curator: Or at least inherit his entire estate! One wonders what Winterhalter and Walworth were talking about, or what thoughts occupied Walworth’s mind during the creation of this work. One feels very connected to this oil work. And look at the detail he captured of that man's eyes; I want to know the secrets hidden within that stare! Editor: Winterhalter’s understanding of texture, form and depth creates a rich tableau; one ripe with suggestion, and very indicative of high society in the romantic period, its focus and obsessions. This composition really manages to engage. Curator: I'll say! There is also something incredibly powerful, and yet restrained about his presentation, even if you weren't a historian or an art critic. Jenison seems ever determined to dominate with both presence and intellect. Editor: Winterhalter leaves a significant mark by showing that he understands composition. And his capacity to give presence is what stands out for me with Jenison. This makes for a really striking study.